Sunday, May 17, 2020

The Appeal Of Fantasy Genre - 1046 Words

The appeal to fantasy is very diverse. One of the primary reasons is that â€Å"readers†¦want something that gives [ ] a sense of wonder, a glimpse at the impossible made real, sights [ ] never otherwise see[n],† Cox says. J.K. Rowling effectively displays this with the typical fantasy setting aspects as well as the incorporation of mythical creatures and magic. The fantasy genre has general guidelines when it comes to creating a story for it to be qualified as fantasy. In the fantasy genre, the stories created often have their own world, sometimes parallel to our own. Often seen in the fantasy genre as well is the incorporation of medieval components to the story. Fantasy worlds are sometimes connected to Earth or the non-fictional world through portals. J.K. Rowling begins her story in the muggle world and the reader is then later introduced to the wizarding world. This allows the reader to have a sense of familiarity and increases the appeal of the genre/novel. Her world is connected to the known world through hidden passageways such as platform 9  ¾ and the brick passageway behind the Leaky Cauldron. Although the story of Harry Potter is introduced through the normal world, Rowling connects it to a brand new one using those magical passageways. This is an aspect of the fantasy genre even if the world is not completely separate from thi s one. In addition, the author’s magical world is complete and self-sustained. Although on the same planet, it is a society in itself with itsShow MoreRelatedEssay on Sir Gawain and the Green Knight as Modern Fantasy627 Words   |  3 PagesKnight as Modern Fantasy nbsp; Sir Gawain and the Green Knight, written by an unknown author in the 14th century, can be called a timeless work of poetry. It exudes a certain fantastic quality that, despite its age of over 500 years, still appeals to modern audiences. Because of this application to all eras, would it be reasonable to state that this poem could be classified with modern fantasy fiction? Because of the similarities in plot and style with so much modern fantasy, Sir Gawain and theRead MoreFantasy Rhetoric Essay1619 Words   |  7 PagesFantasy Rhetoric: Summary and Analysis of Katherine Fowkes’s Fantasy Films A Rhetoric Analysis consists of a multitude of attributes some larger than others and some not specifically require. Among those are certain attributes that are what provides the foundation of any Rhetoric work, Logos, Pathos, and Ethos or persuasive appeal. My job is to show you the other attributes consisting of the context of the argument, the authors’ attitude, and the tone of the overall work. So first I will haveRead MoreThe Lord Of The Rings1698 Words   |  7 Pagesas well. Fantasy books have been around for a long time; however, the fantasy that people think of today has only been around for close to a century. Modern fantasy can very much be credited to J.R.R. Tolkien and his Lord of the Rings book series. According to author Katie Behrens’ article â€Å"Myth, Fairy Tales, Children: A Brief History of Fantasy†, The Lord of the Rings has had a profound effect on shaping fantasy into what it is today. She states in her article that the fantasy genre began withRead MoreThe film Edward Scissorhands Essay834 Words   |  4 PagesEdward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described a s both a dark romantic fantasy and a gothic horror film. The film tells a story about EdwardRead More Analysis of The Time Machine Essay1239 Words   |  5 Pagesposition that I do. They cast it off as a silly little novel that deserves no merit. Obviously I disagree with these critics. The Time Machine follows the criteria that I believe a good novel should have. A good novel should include an element of fantasy and should stimulate ideas in the audience that they never came to realize before. The aspect of good versus evil should also be incorporated into a novel, mainly to capture the reader’s attention. If readers find themselves rooting for a particularRead MoreVikings : Coming Out Swinging1518 Words   |  7 PagesComing Out Swinging Escapism inside of the fantasy genre is extensive, to say the least. You could even say it is was makes the show Vikings retain its viewership. The fifth season of Vikings is set to premiere on The History Channel by the end of this month [November] and has drawn much attention from families around America and the United Kingdom alike. With 2.3 million people just viewing the trailer on YouTube, the hype for the newest season is thrilling or just sensational. The Suspense isRead MoreThe Opening Scenes of Harry Potter and the Philosophers Stone and The Lord of the Rings: The Fellowship of the Ring1395 Words   |  6 PagesFellowship of the Ring In recent years the fantasy genre has undergone a huge revival. Whereas it was once reserved for childrens books of fairy tales, fantasy in both literature and film alike is increasingly becoming a more mainstream genre, enjoyed by people of all kinds. ==================================================================== Fantasy films are probably the most frequently stereotyped genre of all. They tend to involve things such as Dark LordsRead MoreThe Cultural Phenomenon Of Reality Television1741 Words   |  7 Pages(TV)’ has become an increasingly popular genre of television since its paroxysm onto the airwaves in 1945. The term ‘Reality Television’ can be defined as the genre of entertainment that documents the lives of ‘ordinary’ individuals through the exhibition of allegedly unscripted real-life scenarios, despite inquisitive inquiries disclosing Reality TV to entail facets of script. The primary objective of Reality TV is purely to entertain the audience. This genre of television is appealing to viewersRead MoreEssay on Film Review of Lord of the Rings1246 Words   |  5 Pagesthe theme of good Vs evil. The opening scene is about these rings being forged and given too different types of people like, elves, dwarfs and humans. From here you can tell that this film is not natural, you can tell that this is a fantasy film. The film revolves around Sauron and his evil army that, try and get the ring from Frodo. Sauron created the one ring to rule them all, all of his evil and cruelty was endowed in the ring. Once he wears the ring he becomes invincibleRead MoreThe Different Film Genres795 Words   |  3 PagesCinema is an interesting art form that appeals to a wide variety of individuals through varied genres and styles. Of the various major film genres, I am most attracted to action/adventure films and comedy films. I particularly like action/adventure films because they allow e to be transported to a fantasy world where good always triumphs over evil. There are a great variety of action films I enjoy watching, however, one of the things that they all have in common is an unusually high rate of violence

Wednesday, May 6, 2020

Why Is College Pilgrimage - 983 Words

For thousands of years, humans have travelled all across the world in search of enlightenment and spiritual improvement. These journeys are seen in every major religion; from the Islamic pilgrimage of Mecca to the Hindu pilgrimage of the Himalayan Char Dham. The act of embarking on a pilgrimage is never an easy undertaking; particularly when that includes the reliance on relationships that have not yet been forged. This connection with culturally different individuals develop an unequivocal sense of belonging while on these journeys. Yet, one could say that college itself is a pilgrimage, with the relationships we create being the mechanism that solidifies our belongingness . In retrospect, it is my experiences throughout this ‘college pilgrimage’ that has brought forth my interest in how the formation of relationships and the role of fictive kin influence major pilgrimages. My aspirations in pursuing a Ph.D in Anthropology is to advance my understanding of the relationship bonds formed by individuals while undertaking pilgrimages. Specifically, I want to explore the ways in which the altruistic behavior produces kinship cues that allow for the formation of this fictive kin relationship. Through ethnographic engagement, I seek to investigate how fictive kinship sustains itself throughout the pilgrimage of the Camino de Santiago in Spain. But, I also ideally want to discuss how people create relationships with ideals and symbols and how these connections are influenced byShow MoreRelatedThe Role Of Cyber Pilgrimage On A Pilgrimage1585 Words   |  7 Pages Moreover, there are also other methods of cyber-pilgrimage that are commonly use to partake on a pilgrimage on a daily basis. These include pilgrimages videos on YouTube, virtual tours, and online pilgrimage websites of 3D replicates of sacred sites. 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When Larkin says â€Å"Another church†, in line number three, it denotes that he has visited all the churches and every church of the city is empty. Perhaps, he has found some mental tranquility in the present church that is why he made his mind to stay in the Church for some time as it was his habit. There is a beautiful blend of similar and dissimilar objects in the poem. For example in stanza number four, line number 28 â€Å"after dark† and â€Å"dubious women† and in stanzaRead MoreEssay on The Beat Generation887 Words   |  4 Pagesminds of his generation. This poem has no real structure or rational connection of ideas, and the rules of grammar are abandoned in order to pack imagery into one line. The poem points the way toward a new and better existence, chronicling the pilgrimage of the mad generation toward a reality that is timeless and placeless, holy and eternal. Jack Kerouac was not only a leader of the Beat movement in literature, but also a spokesman. Kerouacs major writings are loosely organized and autobiographicalRead More The Beat Generation Essay850 Words   |  4 Pagesbest minds of his generation. This poem has no real structure or rational connection of ideas, and the rules of grammar are abandoned in order to pack imagery into one line. The poem points the way toward a new and better existence, chronicling the pilgrimage of the â€Å"mad generation† toward a reality that is timeless and placeless, holy and eternal. Jack Kerouac was not only a leader of the Beat movement in literature, but also a spokesman. Kerouac’s major writings are loosely organized and autobiographical

Review of Warwick Debates on Nationalism free essay sample

On October 24th, 1995, two of the best-known scholars of nationalism participated in what has now become known as the â€Å"Warwick Debate on Nationalism† under the host of Edward Mortimer at the Warwick University. Each respected speaker presented thoughts and approaches to the study of nationalism that have laid the foundation for two separate, yet prevalent suppositions toward nationalism: Anthony Smith’s primordial approach and Ernest Gellner’s modernist theory. When reviewing the discussions of intellectual masters, it is important to establish the strengths and weaknesses of their arguments before determining a superior concept. Without having any previous knowledge of nationalism, one could easily understand Anthony Smith’s well-organized and cleanly explained argument as he begins with clear definitions of nationalism, nation, and state. Each definition is important as they highlight the fundamental difference between primordialism and modernism: when nationalism began. Smith’s definition of nationalism is an ideological movement that achieves and maintains sovereignty, unity, and the identity of a human population. We will write a custom essay sample on Review of Warwick Debates on Nationalism or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page His definition of a nation is a named population that shares a territory, myths, culture, memories, and offers an economy, common rights, and duties for its population. And his definition of a state is a legal and political concept that is a public institution of coercion and extraction within a territory. Smith’s definitions are essential to his argument of primordial origins of nationalism because the nation represents a fulfillment of the needs presented in a nationalist movement. According to these definitions, a nationalist movement, or nationalism, would be seeking the autonomy, unity, and identity of its community. Thus, this ‘need’ could be fulfilled in Smith’s definition of a nation being a community that shares a historic territory, single economy, common rights, and duties for all members. These definitions take away the political agenda that is often associated with nationalism in the modern period. Another strength of Smith’s case is in his acknowledgment of a form of modern nationalism that began from the need to fulfill the demand that changes in the modern world brought forth. This is where his definition of a state is likewise essential because it then becomes the fulfillment of this new ‘need’ of the people. Smith intently adds that a state is not a community. Herein lies the single most important concept that Smith implies, which is that modern nationalism is a continuation of the heritages, cultures, and territory that are found in pre-modern national communities. Smith refers to this concept as the â€Å"ethno-symbolic approach. † Staying true to his politician technique of covering his footprints, Smith quickly notes that this is not a theory, simply an approach. This gives his approach the flexibility to cover a lot of ground, both chronologically and non-chronologically, without being subject to concentrated scrutiny. Smith terms the ethno-symbolic approach by stating that many, not all, modern political nationalisms cannot be understood without understanding their connection to their ethnic ties and memories, and in some cases, to their pre-modern communities. Smith asserts that the ethno-symbolic approach offers a slight guide as to which populations nationalism will grow among and in what direction such movements may go. Smith notes that the importance of the role of memories, values, myths, and symbols can be seen in the common actions of nationalism by adding that nationalism â€Å"often involves the pursuit of ‘symbolic’ goals – education in a language, †¦ the preservation of ancient sacred sites, the right to worship in one’s own way, have one’s own courts, schools and press, wear particular costume, and so on†¦. Smith concludes his explanation of the ethno-symbolic approach to nationalism by stating that nations and nationals are necessary in the world, and that because people generally have a tie to their nation and feel that their nation fulfills the important political and social needs, it would be near impossible to separate them from their national allegiances. Besides his assertion that nationalism existed before the pre-modern period, Smith distinguishes three major flaws within the modernist theory of nationalism. First, is that such theories are broad and abstract, lacking the ability to relate to specific cases or areas. Next, Smith finds flaw in the theme of materialism that modern nationalism often creates. Smith believes that nationalism can begin in â€Å"all kinds of socioeconomic milieux† and that this materialism is often â€Å"misleading. † However the most dominant flaw in the modernist’s theory is the complete denial of the role ethnic ties and cultural sentiments in nationalism. In an intellectually thrilling contrast, Ernest Gellner responds to Smith’s idea of a pre-modern nationalism by posing the question, â€Å"do nations have navels? † This question literally attempts to find the source of creation of a nation, or ‘do nations have a creator(s)? Gellner strongly establishes that nationalism gave birth to nations, and not vice versa. And nationalism itself does not have an intended creator, as it is a direct result of the economic and scientific changes that ensued with the modern period of the 18th century. Thus, Gellner’s main objective is delineated, that nationalism is a purely modern phenomena. Gellner then defends this concept against what Smith would see as irrefutable evidence written in history by defining the role of culture in history. Gellner separates history into three pockets of time, the pre-agrarian period, agrarian period, and the industrial period. In Gellner’s argument the role of culture in the agrarian society was to place people within an established and stable, hierarchical structure; yet, in contrast, the role of culture in modern society places strong emphasis on a â€Å"literate codified culture,† that Gellner refers to as the ‘high culture. ’ In short, the maintenance of this one’s membership within this educated high culture becomes the focus of culture, which in turn brings in the idea of a state. This responsibility of this maintenance of high culture falls upon an institutional state that can provide education, protection, and finances. Admittedly, it would be difficult for Gellner to make such a case and openly deny the significance or existence of a sense of nationalism before the modern period, but Gellner does just that, stating that not only are most nations ‘navel-less,’ but if they do have a navel, it is entirely irrelevant to the study of nationalism. Gellner is able to make the argument on the grounds that not only could nationalism not exist in the agrarian society, but the presence of ethnic ties in modern nationalism are merely an irrelevant navel to a recently born concept. As previously discussed, Gellner asserts that culture in the agrarian society was vastly different than culture in modern society. Culture in the agrarian society, according to Gellner, was either too small to actually be considered a culture, but rather an intimate community with no real ability (or need) to formulate a political movement, or that the society had too large of communities, like empires, that were made up of various cultures and mini-communities with no real connection to a national identity. The strength of Gellner’s theory lies within the idea that any remnant of heritage or ethnic ties found in modern nationalism are simply the ‘navel,’ of the cycles that began before the creation of the nation that were necessary to its creation, but irrelevant to the study of nationalism. If Gellner had provided substantial evidence, he could have disproven Smith’s case with this one simple concept. Like Anthony Smith’s case, Gellner builds his ideology strongly off of his own definitions of a nation, state, and nationalism. Yet, he does not clearly outline his definitions within the argument, which leads to gaps in his hypothesis (the definition of a state is vaguely outlined, and the primary gap falls within the lack of a definition for a nation). It is my personal opinion that definitions within a debate process are crucial and represent the foundation of one’s concept, thus, because Gellner chose not to properly define his idea of nationalism, nation, and state, his logic is now put into the terms that Smith outlined. This is the first weakness within Gellner’s response. Fortunately, we can refer to Gellner’s second book on nationalism for such definitions of a state, which can be represented by the institution of power that delineates the division of labor and the enforcement of labor, and of a nation, which can be seen as the recognition of two men based on culture within the same nation as well as the recognition of certain rights and duties within this shared community. The next weakness with Gellner’s rebuttal is his focus on the connection of modernism and nationalism. Gellner relies heavily on the impact of his ‘navel’ argument, as it is his main defense against primordialism. Yet, this defense does not answer to the limitations that Smith pointed out in the modernist approach to nationalism. This leads to Gellner’s biggest flaw, and ultimately to his ideas becoming inferior to that of Smith’s within the debate: that Gellner’s concept is too general. The language within Gellner’s argument seems to focus on terms like â€Å"sometimes,† and â€Å"in general,† or â€Å"generalize. † This is problematic because before Gellner even began his rebuttal, Smith accused is theory of being too general and all-inclusive without sufficient proof. In fact Gellner’s only real evidence of modernization giving birth to nationalism is the example of the Estonians creating for themselves a culture out of nothing, he then sums up his evidence with the broad statement, â€Å" it was created by the kind of modernist process which I then generalize for nationalism and nations in general. † This leads to the crowning of the superior argument within the debate: Anthony D. Smith and his ethno-symbolic approach on nationalism. I find Smith’s definitions to be more plausible. These definitions open up the possibility that rather than nationalism being a recent phenomena, it was simply a transformation of nationalism that is being reflected by a change in culture and necessity. This ‘need’ in the pre-modern society was for a nation (because as Gellner pushes, the idea of a state did not yet exist). A nation being a social and cultural, territorial community of shared history and culture with common rights, duties, and a single economy, is the fulfillment that nationalism, the ideological movement for achievement and maintenance of autonomy and identity within a human population. And in the modern society, a state is the fulfillment of the need that is presented by modern nationalism. Thus, nationalism is a continuous throughout history, and modern nationalism can be seen merely as a growth of its original form due to the changes that modern society brought. Another evidence of Smith’s ideological superiority within the debate is Gellner’s lack of evidence to support his main idea. Gellner does not provide enough support to uphold the notion that ethnic ties are simply a ‘navel’ to the modernly born nation. Moreover, Gellner does not properly or thoroughly disprove the existence of pre-modern nationalism. Finally, it is in Smith’s style that he is successful in alluding direct scrutiny because he does not make his claim a definite theory as Gellner does. With a definite and narrow theory, like Gellner presents, it can be easy to bring forth evidence that refutes the theory, and Smith avoids this flaw by including an approach that can explain pre-modern and modern occurrences of nationalism. So it is with Smith that I award the victor of this debate because I find his case solid and I agree with his ideology that while nation-states may be modern, their origins â€Å"can be traced to earlier ethnie. † Benedict Anderson would more than likely strongly disagree with my conclusion. I feel that Anderson would have strongly agreed with Gellner’s concept of the ethnic ties being simply the navel to a modern phenomenon. Anderson would have seen the references to the cultural roots as supplementations to an ‘imagined community’ built by nationalist’s thought. While I would like to say the Brubaker’s heavy critical approach to the study of nationalism would have thrown him either against both Smith or Gellner, or even closer to Gellner in their similar â€Å"anti-myth’ approaches, I am going to say that Brubaker would have agreed with Smith in this particular debate. Brubaker stressed that nationalism was not always state-seeking, saying that he does not â€Å"think nationalism can be well understood as nation-based, state-seeking activity. Brubaker continues that by adding that to focus only on the state seeking nationalism is to â€Å"ignore the infinitely protean nature of nationalist politics. † The final scholar of nationalism that I would like to mention is that of E. J. Hobsbawm. Obviously, Hobsbawm would have supported the theory of Gellner, believing that the term ‘nation’ belonged a â€Å"historically recent period† that related directly to a modern territorial state and having actually derived his definition of nationalism directly from Gellner’s theory. However, I do feel that Hobsbawm would not have placed so little of significance upon the historical influences of heritage and culture. Hobsbawm acknowledged the substantial role that cultural community represented, he just thought it was a modern tool brought about by nationalists as a â€Å"historic mission. † In essence, Hobsbawm believed that nationalism picks and chooses what it needs to survive, and the politicizing of culture was one of those survival tools; consequently, I feel that Hobsbawm would have supported Gellner’s reason.